These Three Intriguing Page-Turners Take Place in Nevada
March 2, 2021
Originally published on “offthestrip.com” link to wayback.com page: click here
Literature trio delves into lesser-known facets of our Battle Born State
By Melissa Gill
Nevada’s never short on material for writers to pen factual and fictional stories, and many readers and movie fans alike are familiar with the more well-known novels such as “Fear and Loathing in Las Vegas” and “Leaving Las Vegas.”
But there are still other books sharing incredible stories about this mysterious desert that weren’t adapted into films. Take a look at these three page-turning stories that showcase unique sides of Nevada.
“Street Art Las Vegas” by William Shea, Patrick Lai and Ed Fuentes
“Street Art Las Vegas” is a nonfiction read exploring the works of creatives such as Shepard Fairey and Retna found in Las Vegas. William Shea and Patrick Lai researched and photographed street art in Las Vegas and nearby areas and even ventured into an abandoned mine. Ed Fuentes penned the introduction with a passion for this surreal collection of artwork. Divided into six chapters, the book highlights art found throughout the city, including the Arts District, West Colorado Avenue and Downtown.
The book is filled with about 200 high-quality photos in full color showcasing another side of Las Vegas that most tourists don’t see. The neon lights are not the only striking feature that illuminates this city’s culture.
Unlike most cities, where buildings stand for decades, Las Vegas constantly reinvents itself. This means that wall space is scarce and unpredictable for local street artists. Street Art United States‘ review said, “Compared to the work found in American street art capitals like Los Angeles or New York, the art found in Las Vegas is particularly powerful.”
Buy “Street Art Las Vegas” on Amazon and Barnes & Noble.
“Battleborn” by Claire Vaye Watkins
Winner of the 2012 Story Prize, “Battleborn” didn’t catch my eye until my creative writing instructor assigned our class to read the semi-autobiographical story “Ghost, Cowboys,” which is the first story in this collection by Claire Vaye Watkins.
A reviewer in The New Yorker called Watkins’ work “raw, fearless and often very funny, these are stories remarkable for the risky dynamism of their language, the scope of their field vision.” Watkins’ seamless writing conjures striking imagery that places the reader effortlessly into emotional scenes with an old-timey desert backdrop.
The first story reveals details about how her father, Paul Watkins, befriended cult leader Charles Manson at a house party in San Francisco; however, he was not involved in any of the Manson murders. Her father wrote songs with him and even moved into George Spahn’s Ranch (a place filmmakers rented to film Westerns) where his cult lived.
Watkins’ “Ghost, Cowboys” weaves in fictional elements to fill in the blanks of her distant connections with her family’s past. “Ghost, Cowboys” is an eerie story that slowly builds up much like an orchestra playing a crescendo, while engrossing the reader into a haunting tale that is impossible to put down. And this is only the first story in this visceral compilation.
“Battleborn” is available on Amazon and Barnes & Noble.
“Dark Days, Bright Nights: Surviving the Las Vegas Storm Drains” by Matthew O’Brien